THE IOHIO NEEDS YOUR SUPPORT FOR THE RESTORATION OF THE TLACOLULA ORGAN
Please click here to see how you can help.
SAVE THE DATES FOR THE NEXT IOHIO FESTIVAL!
The Tenth International Organ and Early Music Festival, Oaxaca, Mexico, will take place February 20-25, 2014.
We are planning an exciting program which will offer concerts on eight restored organs (including the by then restored organ in Tlacolula), visits to thirteen unrestored organs in the Valley of Oaxaca and the region of the Mixteca Alta, and an optional tour of the archeological site of Monte Alban on Feb. 26 after the festival is over. For more information about the calendar of events, participation fees, and hotel recommendations click here.
ATTENTION AFICIONADOS OF MEXICAN PIPE ORGANS
AND OAXACAN FOLK MUSIC! THE IOHIO´S LATEST CD, “OAXACAN MUSIC ON THE OAXACA CATHEDRAL
ORGAN,” PLAYED BY CICELY WINTER, ORGAN,
AND VALENTÍN HERNÁNDEZ, PERCUSSION,
IS NOW AVAILABLE.
OAXACAN FOLK MUSIC PLAYED ON A BAROQUE PIPE ORGAN
This recording presents an unexpected combination of two aspects of Oaxaca’s rich musical heritage–today’s vibrant folk music played on a pipe organ from the colonial past. However, this is not as strange as it may seem, since this music is typically played by local brass bands, and the organ, the largest of the wind instruments, is capable of sounding like a complete band in itself. It is complemented here by various percussion instruments: the standard combination of bass drum, snare drum, and cymbal, along with rattles, a triangle, a scraper, a traditional village drum and a conch shell trumpet.
THE OAXACAN HISTORIC ORGANS
The outstanding collection of seventy-two baroque pipe organs is one of Oaxaca´s lesser-known cultural treasures. Built between 1686 and 1891, these organs remain today as evidence of a glorious musical past when Oaxaca was the third most important center of music in New Spain, after Mexico City and Puebla, and a church was not considered complete unless it had an organ. Beginning in the 1990s, a growing awareness and appreciation of these marvelous instruments has led to conservation and restoration projects, concerts, and festivals throughout the state.
Although many hundreds of organs have existed in Oaxaca since 1544 (the earliest archival reference to an organ), over the course of time most of them have been lost due to normal deterioration, natural disasters, neglect, and/or willful destruction. Eight organs have been restored, reconstructed, or repaired and are now playable, while the remaining sixty-four instruments exist in varying states of conservation. Some are represented only by an empty exterior case or some interior parts, while others are completely intact and may be restored someday. But despite their condition, the relatively small sample of seventy-one organs is enough to reveal a fascinating panorama of construction techniques and musical characteristics spanning over two hundred years. Furthermore, it is almost certain that there are still more organs in Oaxacan villages waiting to be discovered, and it is urgent to register them before they disappear.
OF THE OAXACAN ORGANS
The Oaxacan organs preserve elements of Iberian baroque organ design—one 45-note keyboard with a short octave (until the mid-19th century), no pedals, and meantone temperament—at the same time that they developed idiosyncratic exterior features—a profile with rounded protuberances on the sides (“hips”) and the unusually lavish case and pipe decoration of many 18th-century instruments.
Most of the organs are still in relatively authentic condition and have been little altered or modernized over the course of time. This is in large part related to the isolation and poverty of many of the communities in which they are located, the abandonment and neglect of the organs once they ceased to function, and a conservative tradition of organbuilding resistant to change.
Around 40% of the Oaxacan organs date from the 18th century or earlier, whereas most of the organs in other states of Mexico date from the 19th century.
Most of the organs were built in the state of Oaxaca, with the exception of a few later examples originating in Puebla. Although projects were sometimes supervised by non-Oaxacan maestros, the actual construction and decoration of the organs would have been carried out by local artisans, manifesting the same talent for fine craftsmanship which still flourishes in the state today.
All the Oaxacan organs are still located in churches, not one of them is in a museum.
INSTITUTE OF OAXACAN HISTORIC ORGANS
Founded in the year 2000 with the support of the Alfredo Harp Helú Foundation, the Instituto de Órganos Históricos de Oaxaca A.C. (Institute of Oaxacan Historic Organs or IOHIO, pronounced YOYO) strives to raise awareness about the organs by means of the following activities:
Assure that the restored instruments are played and maintained and that the unrestored instruments are protected, conserved, and documented
- Offer musical and technical training at the local level.
Promote the organs through concerts, festivals, publications, conferences and recordings
Increase knowledge about the organs through archive and community research
The IOHIO is committed to protect, conserve, document, and promote the historic pipe organs in the state of Oaxaca, Mexico; to raise consciousness about their importance as part of the national and international cultural heritage; and to reintegrate the restored instruments into the present-day life of their communities.
We believe that the historic pipe organs merit respect and support. These multifaceted instruments still delight us with their rich sound, their elegant appearance, and their fine mechanism. In addition, they represent a link to the history of their communities and remind us of the commitment of the ancestors of present-day Oaxacans who financed their construction.
The Instituto de Órganos Históricos de Oaxaca A.C. is supported by the Alfredo Harp Helú Foundation Oaxaca (FAHHO), Mexican government institutions, and individual donors.